How Musical Terms Can Set You Apart at Auditions
At a university audition in Texas, a professor asked a surprising question during the interview: “What musical term best describes you as a person?”
The student paused, then replied, “Sforzando.”
“I attack every opportunity with force,” he said. “But I also know when to back off and listen to those who know more than me — like each of you on this panel.”
That one answer made the student unforgettable. And it proved a simple truth: knowing musical terms isn't just about theory or vocabulary. It's about understanding music deeply enough to make it your language.
Sure, pitch and rhythm get a lot of attention in music. But the words on your sheet — those sometimes confusing, often Italian terms — shape how a piece is played. They give music its mood, emotion, and identity.
In college auditions, schools often test your understanding of musical terms. Not just to see if you memorized them, but to find out if you can apply them, interpret them, and use them to bring a piece to life.
Different colleges have different ways of testing term knowledge. Here are a few:
Yes, it helps to know what "forte" and "adagio" mean. But auditions go deeper. Professors want to see how you think as a musician. Can you recognize the difference between "mezzo-piano" and "piano" in your phrasing? Can you shift your tone or tempo based on the markings? Can you connect the dots between what you read and how you play?
Some even test you in conversation. One professor might ask, “Why do you think this composer chose to use staccato here?” Another might want to hear how you'd describe your playing style using a musical term. Be ready.
Here’s how you can build your musical term fluency:
Understanding musical terms isn't just about passing a test. It's about showing who you are as a musician. It's about communication, interpretation, and making music that means something.
And sometimes, it's about telling a panel, with confidence and creativity, that you're a "sforzando" kind of student — ready to go all in.
So study the notes. But don't skip the words. They just might be the reason you get accepted: Bravissimo!
Adagio: A slow tempo, meaning the music should be played slowly and gracefully.
Allegro: A fast, lively tempo. Think upbeat or energetic music.
Andante: A walking pace tempo; not too fast, not too slow.
Articulation: How a note is played or sung (e.g., short, smooth, accented).
Audition Panel: A group of music professionals (often college professors) who listen to a student’s audition to evaluate their musical skills.
Baritone: A medium-low male voice, between tenor and bass.
Bass: The lowest male singing voice.
Composer: A person who writes music.
Crescendo: A gradual increase in volume.
Dynamics: The volume of the music, from very soft to very loud.
Forte: Loud; a dynamic marking that tells the performer to play or sing with strength.
Fortissimo: Very loud.
Fortississimo: Extremely loud; one of the highest dynamic markings.
Grave: Very slow and solemn in tempo.
Interpretation: How a performer expresses the music through dynamics, phrasing, and tempo.
Key: The scale on which a piece of music is based; affects the overall “sound” or mood of the piece.
Lento: Slow tempo, similar to “Adagio,” but sometimes even slower.
Mezzo-Forte: Moderately loud.
Mezzo-Piano: Moderately soft.
Pianissimo: Very soft.
Pianississimo: Extremely soft; the quietest level of dynamics.
Piano: Soft; a quiet dynamic marking.
Presto: Very fast tempo.
Score: The written music that shows all the notes, dynamics, and instructions for a performance.
Sforzando: A strong, sudden accent or emphasis on a note or chord.
Sightreading: Playing or singing a piece of music for the first time without having practiced it beforehand.
Soprano: The highest female voice type.
Staccato: Short, detached notes.
Tempo: The speed of the music (e.g., slow, medium, fast).
Tenor: A high male singing voice, just below the countertenor and above the baritone.
Voice Parts: The categories of vocal ranges, such as soprano, alto, tenor, and bass.