How to Be the Student They Want to Teach
You've spent hours practicing your solo, running through excerpts, polishing your scales. You've studied music theory, passed your entrance exam, and maybe even nailed your sightreading. Your dream school is known for launching professionals—and you’ve worked hard enough to be one of them. You're ready for your audition. Or are you?
Music professors and ensemble directors aren’t just listening to how well you play. They’re asking themselves:
It’s not just about your talent. It’s about whether they can imagine working with you, traveling with you, and collaborating with you.
1. Actively Listen: fully engage in conversations with others
2. Smile: to appear friendly and approachable
3. Maintain Eye Contact: to demonstrate genuine interest in others
4. Utilize Names: to foster a personal connection
5. Remember Body Language: Be aware of yours and maintain an open posture
6. Stay Positive: avoid dwelling on negativity
In high school, your teacher didn’t choose you—you were assigned to them. In college, it’s different. Professors have a say. The admissions office may approve your application, but the music department decides if they want you in their studio or ensemble.
They’re building a community, not just filling seats. And likeability is part of that decision.
Before your audition, take time to learn about the people you might be studying with:
Look for connections. Shared experiences. Backgrounds. Find ways to relate to them.
Here are some simple ways to be more likeable:
These small things go a long way. They help professors see you as someone who would be enjoyable to teach and be around.
This isn’t about being fake. It’s about being your best, most professional self. Think of it like preparing for a performance: you don’t just show up and hope it goes well. You rehearse. You get ready.
It’s the same here. Prepare to be confident, respectful, and genuinely interested in your future mentors.
Professors are imagining:
They’re picturing you not just as a student—but as a future colleague and ambassador of their school.
Your audition is more than a performance. It’s your introduction. It shows who you are—musically and personally. So yes, bring the talent. But also bring the warmth, the curiosity, and the attitude that makes people say: "I want that student in my studio."
Because in the end, great musicians impress. Great people get invited back.
And when professors choose who to teach, they don’t just choose ability—they choose energy, kindness, and potential. Make them believe that adding you to their program is the beginning of something exceptional. Let your character echo as clearly as your notes. Because how you make them feel may just be what makes them say yes.
Ambassador: A graduate who represents the school in a positive light after graduation—through their career, behavior, and accomplishments.
Audition: A performance that serves as a student’s application to a music program. Professors evaluate both musical ability and personality.
Colleague: A peer or future coworker. Music professors often picture students not just as learners but as future professional partners in the field.
Community: In a music school setting, this refers to the group of students, faculty, and ensembles a student will join. Professors want students who strengthen the community, not just stand out solo.
Ensemble: A group of musicians who perform together—like a choir, orchestra, or jazz band. College ensembles are led by faculty and often travel and perform widely.
Likeability: The quality of being pleasant, respectful, and easy to work with. In auditions, this refers to how much a professor wants to teach and work with a student—not just how well they play.
Mentor: A teacher who goes beyond instruction and helps guide a student’s personal, academic, and professional growth.
Preparedness: Showing up on time, organized, having learned your music, and understanding who you’ll be working with. This reflects maturity and respect.
Rehearse: To practice intentionally, with the goal of improving. The article reminds students to rehearse not just their music—but also their communication and presentation.
Respectful: Treating professors, peers, and the audition process with professionalism and courtesy. It builds trust and increases a student's chances of being invited into a program.
Studio: In college music, a studio is a group of students who study privately with the same professor on a specific instrument or voice type.
Teammate: A fellow musician who plays well with others in a group setting. Professors want students who contribute positively to group dynamics.
Warmth: The sense of being approachable, friendly, and genuine. It helps professors imagine a student fitting in well with others and being a joy to teach.